Objects that we are drawn to – personal adornments, ornaments in general, a feathered embroidery, a necklace, a capital, an eave… – are more often than not imitations of models found in nature: a flower’s petals, a plant’s leaves, a bird’s plumage…We’re struck not only by the beautiful colors of these objects but also by the arrangement of their different elements. When we take objects that are seemingly identical and try to create something new with them we have no choice but to subject ourselves to the laws of physics, letting them guide us in our effort to create something that will mirror the beauty and harmony that exist in nature.
To play this game we simply incorporate the parts – which we can interpret to be feathers or leaves from a pita plant – one at a time, inserting and pressing them into the spaces that appear between them, until the plant or the tuft of feathers begins to take shape. With two or more players we can let chance have a role as well, intervening in the other person’s construction.
This forest, resembling a bookshelf, includes a wide variety of woods and is made up of 51 pieces, each engraved with the name of the tree that it came from.
The games are limited editions, as they come from the remains of trees that we, together with numerous friends and collaborators, have collected and preserved over time, with a wish to extend their lives. This means that when the wood from one particular tree has been used up, we carry on with that of another tree, making each set and series truly unique.
The novelty of this magnetic Tangram is that it works with a third dimension and includes a new element: the need to strike a balance between the 7 pieces. The attraction between the tans (tangram pieces) is what ultimately sustains the figures and makes their handling so rewarding. As a result the upright figures can be seen and enjoyed from any perspective.
Este bosque de maderas es una librería que reúne 51 piezas grabadas con el nombre del árbol de donde proceden. Son ediciones limitadas, ya que proceden de restos de árboles que hemos ido consiguiendo con el tiempo y la ayuda de mucha gente y que nosotros queríamos, seguir dándoles vida. Esto significa que una vez que se termina un resto de madera, utilizaremos otra, haciendo cada serie diferente.
Is it an inanimate object or is there something in it that gives it life? Could it be that he reminds us of the messenger boy, the newspaper vendor, the shoeshine or the apprentice of any number of jobs – one who depends on his arms and legs to carry out these menial jobs in order to scrape by? Where does our sympathy for an object come from? Where do our emotions spring from -weak and subtle as they may be – where if not from the emotions of life itself and the spirit that animates it?