The game of the arches could also be called the game of strokes. Each piece is a line that can make drawings in the air, i.e. three-dimensional drawings. Drawing lines in the air and marveling at the forms that are created, pushing the boundaries of balance, interpreting the unexpected abstract and figurative forms that emerge… this is what the game consists of.
As soon as the first piece is put in place the tension starts to grow, along with the search for meaning. The construction begins to impose its own laws, laws that we cannot easily understand. A sort of silent dialogue arises between the form being built and the person playing, and this is what determines the path ahead. Looking, sensing, imagining, doing, undoing, interpreting, seeking, finding…
It is a game that invariably imposes on us a poetic form of behavior, one that cannot be expressed in words. Artistic activity is the natural principle of every game, and randomness, surprise, skill, risk, beauty, emotion, the allure of strangeness, encounters with the unknown – all of these are natural elements of the most primordial and exciting activity that we can partake in: play.
The rules of this game are not written; the game itself dictates them in an open yet subtle way. When we put a new piece in place it is the set that tells us if it makes sense or not. We must be both attentive and unprejudiced to learn to see, to try to interpret what the set is telling us. The laws of harmony cannot always be deciphered. It may depend on us, on the sincerity with which we look, know and see. Children may well be able to teach us to play this game better than any master.
Objects that we are drawn to – personal adornments, ornaments in general, a feathered embroidery, a necklace, a capital, an eave… - are more often than not imitations of models found in nature: a flower’s petals, a plant’s leaves, a bird’s plumage…We’re struck not only by the beautiful colors of these objects but also by the arrangement of their different elements. When we take objects that are seemingly identical and try to create something new with them we have no choice but to subject ourselves to the laws of physics, letting them guide us in our effort to create something that will mirror the beauty and harmony that exist in nature.
Every object contains within itself its own archetype, a link to the time and the world to which it belonged. An old school desk can carry us back in time, evoking countless personal recollections while bringing to life the emotions associated with that particular period of our lives. In the same way, what is today the latest model of a cell phone will, with the passage of time, come to remind us of these days and of the world that created and used it. Objects serve to tell the story - and the history - of the people and the society in which they existed.
3 Models to choose:
- Wooden caser: 12 stools / 20 stools
- Black wooden case lined paper: 20 stools
Our spine is the schematic representation of a tree trunk. Its function is that of sustaining and supporting, but its ultimate reason for being is to hold up its branches, which in turn carry leaves, blossoms and fruit.
The novelty of this magnetic Tangram is that it works with a third dimension and includes a new element: the need to strike a balance between the 7 pieces. The attraction between the tans (tangram pieces) is what ultimately sustains the figures and makes their handling so rewarding. As a result the upright figures can be seen and enjoyed from any perspective.