Could these trunks have once belonged to a cherry tree, with its shimmering red leaves? Or to an elegant birch tree, nestled close to a mountain stream? In either case, happy little creatures would have been found skittering about under their branches, which would have undoubtedly provided shade for more than one weary, long-forgotten traveler.
When the loggers were done and the echoes of their saws had faded away, all that would have been left was a pile of logs giving off the intense smell of freshly cut wood. In a matter of weeks – after being piled neatly in the back of a truck – they wound up at the saw mill.
Now we are in another place, another time. To make these trunks come to life again and be more than just a thought from the past, we will have to make use of our memory. And we will have to play, the way children do, stacking them and building with them in an utterly natural, instinctual way.
Author: Javier Bermejo. Made by: PICO PAO
18 × 20 × 5.7 cm
Pieces: Beech wood painted.
Case: Poplar wood and MDF wood.
The vertex, the common point at which two lines converge – or diverge – , is a primordial element in the graphic representation of all kinds of phenomena. It is first and foremost a graphic symbol, one that in its essence is the synthesis of an event. It marks the point where a road separates, where two rivers come together, where one plane ends and another begins, a change of direction, a fold, a dilemma posed by two possibilities, the branching out of growth and evolution, the cross-linking of a plane, the planar deconstruction of a volume, an itinerary for logical reasoning, computational structure, algorhythmic formulation…
The game of the arches could also be called the game of strokes. Each piece is a line that can make drawings in the air, i.e. three-dimensional drawings. Drawing lines in the air and marveling at the forms that are created, pushing the boundaries of balance, interpreting the unexpected abstract and figurative forms that emerge... this is what the game consists of.
The novelty of this magnetic Tangram is that it works with a third dimension and includes a new element: the need to strike a balance between the 7 pieces. The attraction between the tans (tangram pieces) is what ultimately sustains the figures and makes their handling so rewarding. As a result the upright figures can be seen and enjoyed from any perspective.